BARBARA STRASEN:
On Inspiration and Process at 83

Exhibition: Inside the Imaginal Realm, Sept. 12 - Oct. 10, 2026

Get to know Barbara in Five Questions

Where do you look for inspiration?
BS: Wildly disparate images that seem to connect to each other. Also music.

What did you want to be when you were a kid? 

BS: Artist, right from the start

Coffee or tea?
BS: Daily double latte

What do you do to relax?
BS: Listen to music or audiobooks while walking. Laugh with friends!

Barbara Strasen’s work walks the fine line between order and chaos. Her work seeks to make sense of the inexplicable, looking for ways to depict the disordered world in which we find ourselves. Her layering process utilizes seemingly diametrically opposed images combined to create visual harmonies that reveal congruence and commonality.

The weighty and the whimsical walk comfortably hand-in-hand in Strasen’s new paintings.  We live in a state of contradictory emotions and experiences, and these paintings embody the entanglements of contemporary life. Strasen’s work proposes that every memory contains multiple perceptions layered in a shifting hierarchy of priority. Memories do not remain constant, but are the result of a continuing process of perception and re-perception with our minds constantly trying to reconcile the sublime with the horrific, the trivial with the vital. Strasen’s work comments on and re-presents these ideas, seeking to reveal the interconnectedness of all things.

Installation View:
Things with Names, 2026, acrylic and Flashe on canvas, 60x40 in.
Exhibition: Inside the Imaginal Realm, 2026

On Technique and Process

What is the first thing you do when you are starting a new painting?
BS: Color choices, then look through my stack of notes and images for contradictory images I would love to weave together somehow. 

Favorite medium (today):
BS: Acrylic

Favorite color (today):
BS: Brightest possible Turquoise

What is one thing people ask you about your technique?

BS: How many layers are in there? How long did it take you?

How do you know when a painting is done?
BS: When I can’t think of a single thing more to do to it. I typically work from the biggest decisions at the start to smallest moves at the finish.

Fall, 2026, acrylic and Flashe on canvas, 30x24 in.

THE ARTIST OUT IN THE WORLD

Barbara Strasen is well known for her large-scale site-specific installations in additional to her paintings, collage, and lenticular works.


LAX - TERMINAL 2, 2013-2015

Barbara Strasen was commissioned by Los Angeles Public Art Division and Los Angeles World Airports to create a monumental lenticular installation to occupy both floors of Terminal 2. The installation, Flow and Glimpse, was part of “Influx: Art at LAX,” Los Angeles International Airport’s first-ever public art festival, which launched in late 2013 to showcase the diverse contemporary art practices of the local region.

INSPIRATION AND
WORDS FOR YOUNG ARTISTS

Describe your studio in one sentence.
BS: Happy place

One artwork you are happy to have seen in person.
BS: Yikes-how to choose? I would have to say Pollock’s Mural (1943) shown at the Getty

Best advice for young artists?
BS: Find ideas and processes that spark you, then start down that road and follow it. Help other people, and accept help. Beware  of social media.

Sky Passage, 2026
acrylic and Flashe on linen, 30x24 in.

A QUOTE AND A MANTRA

A quote that you find inspiring is:
From Philip Guston: 
“Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe.”

A mantra to live by is: 
Shunryu Suzuki: There is no certain way that exists permanently. Moment after moment, we have to find our own way.

painting of intestines over feet

Barbara Strasen
Self Portrait, 2019
acrylic on canvas, 30x30 in.

Barbara Strasen (b. New York, 1943) received her BFA from Carnegie-Mellon University and her MFA from the University of California, Berkeley. Strasen has exhibited extensively in museums and galleries across the USA and Europe including the Whitney Biennial (1975), the University of Southern California’s Fisher Art Museum, MoMA P.S.1, Long Beach Museum of Art, San Diego Natural History Museum, Grey Art Gallery at NYU, Islip Art Museum (New York), Het Apollohuis (Netherlands), Budapest Galerie (Hungary), Frauenmuseum (Germany), Galeria Soloblu (Milan) and the FlashArt Museum (Trevi, Italy). She also co-curated, with Mary-Kay Lombino (then Assistant Curator at the UCLA-Hammer Museum), the exhibition Contempo-Italianate at Loyola Marymount University’s Laband Gallery. Strasen’s work has been featured in the Los Angeles Times, Artweek Magazine, the New York Times, Los Angeles Weekly, Artcore, among others. Her work is included in numerous public and private collections including the National Gallery of Art (Washington, DC); the Wellcome Trust Art Collection (London); the Colburn School of Music Art Collection (Los Angeles); the Long Beach Museum of Art; the Santa Barbara Museum of Art; the Austin Art Museum; the Frauenmuseum (Bonn, Germany); the Allen Memorial Art Museum; the Blanton Museum/University of Texas (Austin) and the collection of Herbert and Dorothy Vogel. Strasen lives and works in Los Angeles, CA.