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RANDALL W.L. MOOERS
A GOOD DAY FOR A PARADE February 24 - March 31, 2018 |
PRESS RELEASE
FOR IMMEDIATE RELEASE |
George Billis Gallery is pleased to present the gallery’s third solo exhibition of still life realism paintings by Randall W.L. Mooers. The exhibition features the artist’s recent work and continues through March 31.
Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence.
Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level.
For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren, Peiter Claus Heda and Willem Claesz Heda, to the kitchen settings of Chardon, as well as the still life’s of Cézanne, and the Nature Morte paintings of Morandi, also some of the intensely skillful hyperrealist and trompe l’oeil painters working today.”
Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence.
Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level.
For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren, Peiter Claus Heda and Willem Claesz Heda, to the kitchen settings of Chardon, as well as the still life’s of Cézanne, and the Nature Morte paintings of Morandi, also some of the intensely skillful hyperrealist and trompe l’oeil painters working today.”
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Billis Williams Gallery opened as George Billis Gallery Los Angeles in 2004. Tressa Williams joined as director in 2009 and became partner in 2021. Billis Williams Gallery builds on the Billis legacy and shows emerging to mid-career artists with a special focus on Southern California painters. The gallery is dedicated to exhibiting exceptional work in richly varied visual vocabularies ranging from abstraction to photorealism.
Billis Williams Gallery
2716 S. La Cienega Blvd
Los Angeles, CA 90034
[email protected]
www.BillisWilliams.com
Billis Williams Gallery
2716 S. La Cienega Blvd
Los Angeles, CA 90034
[email protected]
www.BillisWilliams.com